Saturday, March 25, 2006

Mathematical Poetry from Finland

I received an interesting email from Finland yesterday. A mathematical poet there named Marko Niemi sent me some links to some mathematical vispo. One link in particular, directed me to one of his interactive math poems. I have to declare this is my favorite mathematical vispo piece to this date. It is a fractal poem and due to the fact, I have never seen one before, I find it quite exciting. Before I go into the details of how it works, I am going to leave it with you to figure out. I had a lot of fun poking around to see how it works and when the fractal element hit me, I was quite surprised. Marko’s hint was to click on one of the words to “zoom in”

Midwinter night's dream (click here)

I will be discussing the details in a future blog entry.

Monday, March 20, 2006

Scott Glassman on Verbogeometry

I wanted to share something that Scott Glassman wrote to me, which I find elegantly written. However, I don't want to appear pretentious and hope no one feels that my blog has advanced mathematics … all of what you find here, at this time, comes from the first and second semesters of algebra based physics. I am primarily an artist not a mathematician.

If there's anything verbogeometric / mathematical poetry can accomplish, at the very least, it can begin to help people understand that human qualities, spiritual qualities, operate in many dimensions-- they are the true conceptual equivalents (& metaphorical equivalents) of physical wonders, like say neutrinos. I see how the incorporation of these concepts with advanced mathematics begins to illustrate a depth and a myriad of functional "flourishes" (as say, experiences with music) that is closer to the truth. It begins to get at that "one hidden stuff" of which we are all made.

Scott Glassman

Thank you Scott for your kind words,

Saturday, March 18, 2006

5 out of 4 people have a problem with fractions

I was attending an opening for the Imperial Beach Art Guild show held March 4 in Imperial Beach, California and happened to run across an artist there who was wearing a t-shirt that said, “5 out of 4 people have a problem with fractions.

Lets look at it in equation form:

I find it to be a nice math poem with a very curious metaphoric image in it. Five fourths of the population is a party balloon slightly twisting your mind before it blows up in your face. This twist of denotation turning into connotation sets up great tension, then exploding into a joke, as you walk away … some of us savor this kind of nonsense.

Tuesday, March 14, 2006

Chauvinistic Mathpo

I have been hesitant to post this on my blog because I really don’t appreciate sexist humor. However, the text above has been sent to me numerous times from all types of people including my sister! However, I must admit that I do find this interesting because it is an example of mathematical poetry that shows there are no boundaries for this aesthetic form. It also has elements of mathematical vispo. (Namely the square root of evil equating to the root of all evil)

It is also curious to note a bit of a disconnect in how the author of this poem mathematically defines women as purely time and money. But verbally states that they require time and money.

I feel there can be philosophical discourse revolving around this poem but I wouldn’t touch it with a ten foot pole.

Saturday, March 11, 2006

Defining Bloglusions of Grandeur

Delusions are such a wonderful thing.

Wednesday, March 08, 2006

Verbogeometry -- installment VIII --- Distance Formula and Verbogeometry

2.7. Distance Formula and Verbogeometry. As we have seen, to calculate the distance between two points, we need to describe our points by its coordinates using the nomenclature of the coordinate pair. Let me reiterate, describing a point in verbogeometry is no different from numerical coordinates except we use words. Lets look again at the example in figure 15 where we used the midpoint formula to find the exact point between the points: P1(love,praise) and P2(hate,punishment) but instead of putting them in the midpoint formula lets put them in the distance formula. (See figure 32)

Figure 32

Here we have an expression for the distance between the points P1(love,praise) and P2(hate,punishment) in two dimensions. But we can also use verbogeometry in any number of dimensions including hyper-dimensions. But before we look at hyper dimensional verbogeometry lets look at another example which we will express in the third dimension. The following example uses a three dimensional Cartesian coordinates system with 3 simple antonym word-axes. (See figure 33) The first axis is noble / ignoble the second axis is just / unjust and the third axis is loyal / disloyal.

Figure 33

Now lets look at the expression for the distance between the points P1(noble,just,loyal) and P2(ignoble,unjust,disloyal) see figure 34

Figure 34

Notice the green line in figure 33 is the visual representation for the mathematical expression above. However, it would be much easier to visualize if we were able to rotate the axis. Figure 33 is an isometric view, which I chose to use because it is best for viewing the axis but unfortunately at the expense of viewing the spatial orientation of the green line.Now let us look at verbogeometry in a hyper-dimension. Let us look at the distance formula used in seven dimensions:Figure 35 shows the mathematical poem 1+1+1+1+1+1+1+1 =1 This is a metaphorical piece that creates a metaphoric path from the concept of confusion, to where seven deities meet. The piece uses the analytic geometry distance formula in a seven dimensional space where each dimension is a gradation from confusion to a point where a deity exists.

Figure 35.

Here is a detail:Figure 35

Lets look at the coordinate pairs for these two points P1(confusion, confusion, confusion, confusion, confusion, confusion, confusion) and P2(Allah,Buddha,Jesus,Spider woman,Vishnu,Yahweh,Zeus)In conclusion what I have shown is scratching the surface of the possibilities of verbogeometry. Verbogeometry can be taken in vast directions that I have not covered or will be able to cover. I hope, in the future, more people join in to explore the possibilities of verbogeometry.

Kaz Maslanka
San Diego, California
February 3, 2006

Tuesday, March 07, 2006

Verbogeometry -- Installment VII --- Pythagorean Theorem and The Distance Formula

2.6. The Distance Formula and Pythagorean Theorem: The distance formula uses the Pythagorean Theorem to calculate distances on the Cartesian coordinate system. The Pythagorean Theorem says that the hypotenuse of a right triangle is equal to the square of it sides. (see figure 26)

Figure. 26

solve for c and we get the following see figure 27

Figure. 27

Let us plot two points on a two-dimensional axis system P1(-9,10) and P2(4,3) and If we draw a lines between the points and lines parallel to the axes we can obtain a right triangle. (see figure 28)

Figure. 28

To solve the length of the hypotenuse we first find the difference between the x values and the y values to create the sides of the triangle then we plug the values into the Pythagorean Theorem.
x value is 9 - 4 = 5 and the y value is 10 - 3 = 7
Now we plug it to the equation and we get the expression in figure 29

Figure 29

The distance or length of the hypotenuse would be the square root of 74 or approximately 8.602
The distance formula is thus:
Given two points (x1,y1) and (x2,y2) (see figure 30)

Figure 30

Now what we have been looking at up till now has been in two-dimensions but we can also express a distance in many dimensions. Let us look at two points in three dimensions.
P1(x1,y1,z1) P2(x2,y2,z2)
If we were to put these two points into the distance formula it would look like what is shown in figure 31

Figure 31

It is evident that we can use the distance formula in uncountable dimensions all we have to is to add another dimensional term to the formula for every dimension we wish to express.

Monday, March 06, 2006

Verbogeometry -- Installment VI --- Prismatic Structures

2.5. Prismatic Structures in Verbogeometry: Notice that 'barren and infertile' is a complex antonym and 'fertile and infertile' is a simple antonym as previously defined. This is interesting because we can see that there exists in verbogeometry a geometric construction where a line expressed as a simple antonym is normal (90 degrees) to a plane containing all of the complex antonyms related to the line which is expressing the simple antonym. To illustrate this idea lets look again at the relationship between the simple antonyms 'fertile' and 'infertile' and the synonyms 'barren', 'fruitless', 'unproductive', 'sterile', 'impotent' which reside on the plane that is normal (90 degrees) to the line created by the simple antonyms. Furthermore you can draw lines from all of the synonyms back to the complex antonym 'fertile'. (See figure 19)

Figure 19.

This idea also lends itself to prismatic structures where we have a group of parallel simple antonyms whose endpoints construct polygonal faces on two parallel synonym-planes. (See figure 19) Example: Let us define one synonym plane containing the words 'pleased', 'content', 'affected', 'satisfied', 'enchanted' and 'sympathetic'. The other plane contains the following simple antonyms for the previous group of synonyms: 'displeased', 'discontent', 'disaffected', 'dissatisfied', 'disenchanted' and 'unsympathetic'. Due to the synonyms of one plane have corresponding simple antonyms which create lines 90 degrees from the synonym-plane then the simple antonyms are synonyms of each other and reside on their own individual synonym plane and because the lines are 90 degrees to each other the planes must be parallel. The former verbiage is a lot easier to understand visually (See figure 20)

Figure 20.

On a side note: Everything that we have been talking about up to this point has been viewed in Euclidian space. Not much time has been spent exploring verbogeometry outside of Euclidian space. However, I see that there can be a lot more thought evolving models of verbogeometry in other spaces. For example, Instead of viewing antonyms and all the varying meanings spread out across a number-line, we may think of the antonyms as magnetic dipoles. Furthermore, all the varying meaning between them is analogous to a magnetic flux. Yet again, another view may be looking at the antonyms residing at the endpoints of a major axis of a three dimensional ellipsoid and the varying meanings reside on the surface of the ellipsoid. (See figure 21)

Figure 21.

Figure 22 shows an ellipsoidal flux-like paradigm for the previous prismatic structure. (See figure 20)

Figure 22.

Figure23 shows an unlabeled side view

Figure 23.

It may be easier to see the ellipse structure if it was wireframe (See figure 24)

Figure 24.

Figure 25 shows 5 parallel word axes in a wireframe structure

Figure 25.

Sunday, March 05, 2006

Verbogeometry -- Installment V --- With Trigonometry

2.4. Verbogeometry with Trigonometry: First let us solve a pertinent traditional trigonometric problem, which requires a solution for an angle. Let us make 'theta' the variable of the angle in question. The tangent of a right triangle is defined as the ratio of the side opposite the angle 'theta' to the side adjacent to the angle 'theta'. If we call the side opposite distance "y" and the side adjacent as distance "x" we then arrive at tan (angle theta) = y/x (See figure 16)

Figure 16.

It also follows that if we know the distance of two sides of a right triangle we can find all the angles. Let us look at an example with the side opposite angle theta being 3 and the side adjacent to angle theta being 4 and. Let us now solve for the angle theta. We know that y/x = tan (theta) so it follows ¾ = tan (theta). To uncover the value of theta, we must take the inverse tangent of ¾. Symbolically this is stated as "theta = inverse tan(y/x)" or approximately 36.87 degrees (See figure 17).

Figure 17.

In general, to reveal the angle after you have calculated the value for the tangent of y/x, your choice is to find the angle on a trigonometric table (old method) or you plug the values in on a hand held calculator.
Now let us look at a similar expression using verbogeometry and looking for the value of angle theta. This time we define the y distance as the difference between the concepts of barren and infertile (think number-line again) and let us define the x distance as the difference between the concepts of infertile and fertile. (See figure 18)

Figure 18.

If we want to know the angle of theta we have to take the inverse tangent of y/x or the inverse tangent of (barren - infertile)/(fertile - infertile) (see figure 18)

Saturday, March 04, 2006

Verbogeometry -- installment IV --- Midpoint Formula

2.3. Midpoint Formula in Verbogeometry: Any analytic geometry equation can use coordinate word-pairs instead of numbers to express poetic forms. Let us use the midpoint formula to express the exact point between the two points P1(praise,love) and P2(punishment,hate) from figure 13. Before we look at coordinate word-pairs let us refresh the use of the midpoint formula in analytic geometry. To find the midpoint between two points on a Cartesian coordinate system we add the x coordinates together and divide by 2 to find the x value for the midpoint and we also add the y coordinates together and divide by 2 to find the y value for the midpoint or
(x1 + x2)/2 = x0 and (y1 + y2)/2 = y0.
Lets look at an example of finding the midpoint P0 between the points P1(-14-15) and P2(12,11) utilizing the midpoint formula. x1 = -14 and x2 = 12 so substituting our numbers in the variables of the equation (x1 + x2)/2 = x0 we get (-14 + 12)/2 = -1 also y1 = -15 and y2 = 11 so substituting our numbers in the variables of the equation (y1 + y2)/2 = y0 we get (-15 + 11)/2 = -2 therefore: P0 = (-1,-2) (see figure 14.)

Figure 14.

Let us now take a different approach and replace the numeric variables in the midpoint equation with the words/concepts of love, hate, praise and punishment. We will use the form of coordinate word-pairs P2(love, praise) and P1(hate, punishment). The midpoint formula now shows us that P0(x0, y0) will be formed by the substitution of (x1 + x2)/2 = x0 with (love + hate) = x0 and (y1 + y2)/2 = y0 with (hate + punishment) = y0. Now we have expressed the exact point between love, praise and hate, punishment. (see figure 15.)

Here is a relative piece from 2000

Friday, March 03, 2006

Verbogeometry -- installment III --- Word-coordinate Pairs

2.2. Word-coordinate Pairs: We have witnessed a word-axis with different values of an antonym pair along a particular axis 'x' or 'y' in one dimension. (See figure 3) We also have seen a word-plane with values of two antonym pairs along two axes 'x' and 'y' in two dimensions. (See figure 10) Furthermore, we can have word-cubes along the x, y, and z-axes in the third and word-hypercubes in the fourth dimension or we can have antonymic pairs in innumerable dimensions. There is no limit to the dimensional palette for our expressions. Each antonym word-pair adds a new spatial dimension to our expressive construction. Let us talk about the spatial accuracy in defining the location of words in space. Once again, let us look at figure 10 and notice the antonym word pairs, just/unjust and noble/ignoble. However, let us focus our attention to the word-axis just/unjust. We know that we have defined a one-dimensional word-axis with different values of just and unjust but we do not know exactly where each of the words is located along the axis. We have no quantitative value for just or unjust. However, we do have a qualitative value and we know that the word exists somewhere on the axis. What is most important to us in verbogeometry is not the value as such, but the spatial relationship of the values to each other in space. Because the value or the meaning of a word is relative to the context in which it is used, each viewer individually creates his or her own context for meaning. Therefore, exact quantification of the word or its location in space is not possible. However, in some cases, it may be possible to restrict the context to a level where repeatable correlations exist, but those studies are more akin to denotation for the purpose of science. Scientific experimentation "proves" the equation to be mathematically correct and workable within a range of acceptability. In other words, experimental data defines viability of the relationships between the concepts in a scientific equation. On a side note: (When scientific equations are in the intuitive stages of development, there may be an argument to claim that they are in the realm of art, I personally might accept this view if it were not for the fact that their intention is not to make art.) In verbogeometry, we construct equations based on relationships between the qualities of our experiences to evoke meaningful aesthetic expressions of which most are connotative but some may be denotative.Let us get back to the Cartesian coordinate system for a moment and reiterate the idea of coordinate pairs. A point on a two dimensional coordinate system would have values for x and y and would be expressed as such: (x,y) (see figure 1.) A point on a three-dimensional axis system would have values for x, y and z and would be expressed as (x,y,z). A four dimensional point would be expressed as (x,y,z,w) in the fifth dimension as (x,y,z,w,v) etc.Before we get into multidimensional word-axes let just look at a simple two-dimensional word-plane with two word-axes. (see figure 12.)

Figure 12

The vertical axis is a synonym word-pair of praise and punishment and the horizontal axis is a synonym word-pair of love and hate. It is very important to realize that not only does the words love and hate define the identity of the horizontal or x-axis they also hold conceptual points in space along the axis and the same for praise and punishment with respect to the y-axis. The words which are conceptual points in space define a metaphoric value along its respective axis and can be notated as a coordinate pair similar to (x,y) So you may ask what would a coordinate word-pair look like? Let us look at the two points identified as point 1 or P1(love,praise) and point 2 P2(hate,punishment) (see figure 13.)

Figure. 13

Thursday, March 02, 2006

Verbogeometry -- installment II --- Word-Axes and Word-Planes

2. The Mechanics of Verbogeometry:

2.1. Word-Axes and Word-Planes. One of the tenets of Verbogeometry and Mathematical poetry is that you "calculate" values of quality as if they were quantity. Of course this seems to be nonsense but then one must realizes that paradox is the mathematical structure of metaphor. When quality and quantity are synonymous then the math equations automatically transcend the normal duty of denotation and enter into the realms of connotation. This concept also bears some relationship to different concepts of infinity pioneered by the Russian-German Mathematician Georg Cantor, namely the infinities in gradation relative to the infinities in Counting.
Another tenet of verbogeometry is that it recognizes antonyms in only a few varieties. A simple antonym is a word whose antonym is a direct negation. (Example: just / unjust, probable / improbable or fertile / infertile etc.) A complex antonym is a word whose antonym is not a direct negation. (Example: just / unfair, probable / doubtful or fertile / barren etc.) There are also gradable (gradient) antonyms which are pairs that express relationships in a continuum, such as up and down. Complementary antonyms are pairs that express an either/or relationship, such as dead or alive. Verbogeometry uses all antonyms as if they were gradable. It is easy to find examples where poets use complementary antonyms as if they were gradable to create certain metaphors. Example: "Bob showed up half dead to work today."
Within the boundaries of verbogeometry is important to understand that we view words as objects floating in space. When we focus on single words, with no context, they are alone inert relating to no other words. However, when we focus on words that have a synonymous partner we can easily imagine a line in space between the words. Probable and improbable are good examples of simple antonyms that we can view connected by a line. (See figure. 3)

Figure 3.

Life is full of dualities it is hard to think about qualities without thinking about opposing ideas. We can view our 'probable / improbable' one-dimensional line as a number line but instead of values of numbers on the line, we think in terms about having different levels of meaning between the two words residing at each end of the line. Due to a number-line being a one dimensional axis it is easy to visualize a word-axis as an axis for a single spatial dimension. We call any pair of words connected by a line a word-axis. Two perpendicular number lines or word axes make a two-dimensional word-axis as well as defining a word-plane. We also have the ability to view the word-plane as an infinite number of coordinates delineated by the word-pairs much like the infinite number of coordinate pairs contained within a Cartesian coordinate system described in the realm of analytic geometry.

Figure 4.

Figure 4 shows a visualization for the physics equation; distance = velocity multiplied by the time. Notice that the y axis displays velocity and the x axis displays time. When we multiply and blend the words in an infinitesimal weave, we arrive at the concept of distance in a tessellated product of the concepts of velocity and time. In another words by positioning the two axes perpendicular to each other, we view every value on one word-axis in relation to every value on the other word-axis. This method affords us a way to 'feel' the entire word plane or axis system with all its different augmented values and gradations. When we multiply two word-axes together we conceptually tessellate a two dimensional plane with different semantic values of the two words blended and augmented. If we were to take a normal Cartesian coordinate system and multiply the x positive integers (1 through 12) times the y positive integers (1 through 12) we get a tessellated plane as in Figure 5 (see figure. 5) (notice the intensity of blue relative to the value of the numbers)

Figure 5.

To help us further visualize this concept let us create a word axis using the words red and green. In this instance, we are going to use red and green as nouns instead of adjectives. (We will use colors as adjectives later) Let us multiply a red-green axis times another red-green axis and view it visually. (See figure. 6) Multiplication of colors is similar to color addition except the disparate intensities of the colors are greater and follow a similar pattern shown in figure 5. The value of the 'numbers' is subjective and not as important as the relationship between the 'numbers'.

Figure 6.

Figure 6 helps us to visualize different word meanings spread across a word plane.
Let us create another example using two different word-axes. However, let's use two different colored word axes instead of both axes being the same colors like our previous example. Then let us break down what we have just accomplished and look at the axes separately. After that we will superimpose a set of different word-axes upon our color axes to compare how the system works.
To facilitate visualizing two different word axes lets look at an example with the word-axes red-green and blue-orange multiplied by each other and mapped on a Cartesian coordinate system. (See figure. 7)

Figure 7.

(Note these diagrams are visual aids not scientific data)

Figure 7 is comprised of two axes: a red-green in the vertical and a blue orange in the horizontal. Let us look at the red-green vertical axis separately (See figure. 8)

Figure 8.

and separate the blue-orange horizontal axis as well (See figure. 9)

Figure 9.

Furthermore, notice the direction of the gradations. When we place the axes perpendicular to each other and multiply them together, we see the color tessellations of the word-plane. (See figure. 7)
What is nice about using colors for our examples is that words used for colors function as both a noun and an adjective depending on our intent. When we map a word plane with word-axes that comprise colors and we use them as adjective synonyms, then this word-plane serves as a paradigm or a pedagogical tool to serve as a general model for understanding all two axes synonym word-planes. Example: Let create a word-plane using the two word-axes of noble/ignoble and just/unjust. (See figure. 10)

Figure 10.

The next step would be to superimpose the noble/ignoble; just/unjust word-plane onto our previous word-plane of blue/orange; red/green. In essence, we are pretending color blue to mean ignoble, orange to mean noble, red to mean just and green to mean unjust. Now we can see the meanings blend into each other in the different areas of our word-plane.(See figure.11)

Figure 11.

We can see the color purple as blend of ignoble and just, red-orange as a blend of just and noble, yellow-green as a blend of noble and unjust and blue-green as a blend of ignoble and unjust. For the record, I certainly am not trying to say there is a relationship of ignobility and injustice with the color blue-green! This example is just a tool to help us with our own concept of visualizing a word-plane. However, we could create a different but, in my opinion, limited set of color metaphors for noble/ignoble and just/unjust. Or we could look at our color example as adjectives on their own merit. This method would automatically help us see them as metaphors. Example: She was red hot. He had a blue day. He was so green he did not know what was happening. Multiplying adjective word-axes together instantly create metaphors.

Wednesday, March 01, 2006

Verbogeometry -- installment I --- Cartesian Coordinate System

I would like to step through my paper on verbogeometry in small installments if possible. The paper is laid out so that I discuss a mathematical idea and then show how it relates to verbogeometry. The first installment is an overview on how the Cartesian coordinate system works and how it is applied to a remedial physics problem. Next installment will be about the mechanics of verbogeometry.

VerbogeometryThe confluence of words and analytic geometry

1. Cartesian Coordinate System:
Before we can talk about verbogeometry, we must have a look of some pertinent elements in analytic geometry. Concerning this paper on verbogeometry, you should know enough analytic geometry to plot points and a few basic equations on a Cartesian coordinate system. However, I would like to believe that anyone should be able to enjoy some understanding of verbogeometry. If you need a refresher on the Cartesian coordinate system, you may want to look online. Wikipedia has a nice overview of the System.When we look at the two-dimensional axis of a Cartesian coordinate system, we can see that by picking a point somewhere on the plane defined by this axis that there is a relationship of this point back to the origin. This relationship is understood by the nomenclature of the coordinate pair (x,y) where x and y are distances along each axis from the origin. Furthermore, if we draw lines from a newly created point, perpendicular to both the x-axis and the y-axis and taking into consideration the axis system in the background then we will make a rectangle. (See figure. 1)


The area of a rectangle is product of the lengths of its sides and in the upcoming example the product of the values for the x and y coordinates of this point. Of course this one is a special case because we used the axis origin as our starting point. Example: Let us arbitrarily pick a point defined by the x-y coordinates of (11,13) and draw lines perpendicular to the axes to illuminate what I just said. The area of any rectangle is equal to its height multiplied by its base (The product of the lengths of its sides). We have a green rectangle delineated on our axis system. (See figure. 1) The height of our rectangle is 13 units and it base it 11 units. The area of our rectangle is 143 square units … or 13 X 11 = 143 This later example is one of pure mathematics. However if we want to use math as a language then we will have to apply concepts or words to our axis system. Let us look at a typical physics problem of distance, velocity and time displayed on a two dimensional axis system. Let us assign the y-axis to be levels of velocity in units of miles per hour and the x-axis to be amounts of time in units of hours. (See figure. 2)

Figure 2.

The distance of an object traveling in space is equal to the velocity of the object multiplied by the average time it is traveling in space or d=vt. Let us use the same pure mathematical example as before but by our contextualizing the axis and assigning the y-axis to represent velocity and the x-axis to represent time, our original point from the last example (11,13) has a new meaning. To reiterate … the point before was in the realm of pure mathematics but now the point represents a moment in time of a speeding object. The object is traveling 13 miles per hour and has been traveling for 11 hours. So to calculate, (d = vt), the distance the object has traveled we must multiply the velocity by the time or 13 miles per hour times 11 hours which equals 143 miles.In essence, what we have done has been to assign a concept by using words (velocity and time) to our axis system. Moving our attention up or down on the y-axis displays different values of velocity. Moving left and right on, the x-axis displays different amounts of duration or time. Physical experimentation can easily verify the veracity of this equation. In addition, the same experimentation verifies the verbal concepts and their relationship to each other that we have assigned to our axis system. We can see the relationship between the concepts of distance, velocity and time spread out on a two-dimensional plane via our axis system. It is important to note that these concepts occupy orthogonal spaces as well as all equations in the form of A = BC. Furthermore, the equation makes sense again because it matches our perceptions of the event and the axis system is a model of our experience. Although the use of the latter equations was for the purpose of denotation, Verbogeometry is more interested in the use of equations for connotation and witnessing dissimilar concepts forced into orthogonal spaces to create metaphor.

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