## Saturday, December 27, 2008

### Me And My Big Mouth

Me And My Big Mouth
Well I have to confess that I have been a bit ornery. I ran across a blog that was discussing the painting shown above. I thought I would try to stir things up a bit and drop in the comment that the math was wrong and that it should have been multiplication as opposed to addition. This created quite a stir among this group of rowdy folk at the art police blog. You may want to follow it back to see their musings after I dropped the comment.
The text in green below is a response to my comment from the art policeman and my response to him is in white.

Kaz said:
"Well, I hate to be the mathart police however, the math is wrong ... it should be multiplication and not addition.

How can it be wrong when it was never right in the first place?

It is true that there is no 'correct' art however there is correct and incorrect mathematics. This is why you called up your mathematical art equation department ... you just didn't realize it was me. (I guess it was presumptuous of me to show up)

Well, the art at least that is....
But for the sake of even more pointless argument.
And you really have not argued a thing you have just brain-farted your opinion and have not backed it up with a damn thing. Have you?

You are correct that I didn't give you a direct hint Furthermore; I should not expect you to dig through my blog to find a hint so I owe you an apology and I will now supply the link to help with our discussion if you are so inclined. (Here it is)

So let us at least show you Kaz Mashorseshockey how to argue.
Here we go-
Are we not dealing with three paintings here in this particular equation?
Only three, so therefore if the factors were to be multiplied as in repeated addition, as you suggest, then the two said factors would result in a product of a multiple of the two.

I see your last statement being basically correct. Although, repeated addition is not how I would describe this situation within this context.

Unless the two factors were exactly the same then they would result in the same product,

Well the last statement seems to indicate that you think that 4 x 4 = 4 and not 16 … I doubt that was your intention so we are not clear here.

or if one factor was zero, then the resulting product would be zero or in this case no painting at all(which is what they should be in a perfect world)...that zero being the no product.

Again I see this last statement being correct.

However in this case we have two singular images resulting into another singular image and that clearly can only be stated in an equation of addition.
1painting + 1painting =2painting
or #1painting + #2painting =#3Painting
If it was a multiplication problem, as you Kaz Matdingdong have suggested , we would result in
1painting x 1painting =1painting
or #1painting x #2painting =#2painting

Here it seems that you are not making any sense for it seems that you are saying that the statement, "4 + 4 = 8" is a valid equation yet "4 x 4 = 16" is not valid or maybe you are trying to say that 2 x 4 = 4 which of course is not true mathematically furthermore, this is not the case in the artwork for the second image from the painting is not the same as the product image(Obama) -- I am not following your logic here.

Either way you look at it, and obviously you didn't, The multiplication scenario does not fit.

Maybe you can look at this again after checking out this blog post . Your comments would be appreciated.

We here at The Art Police feel you are horribly wrong in correcting us, so therefore you, along with our fine art friend from NC Karen on the other blog, have failed in trying to insult the intelligence of The Art Police.

You have misunderstood my correction for it was not to insult anyone I just thought that I would have some fun and stir things up at bit and try to get some discussion concerning the problem of addition and multiplication in math poetry. However I really didn't mean to give poor 'whirley gig man' a reoccurring nightmare from his high school days. And if he really knew me I think he would like me because I have more in common with him than he realizes.
Again my intent was certainly not to piss anyone off … Whirley gig man was right … I was just farting around … I just didn't realize it stunk so badly.

YOU Kaz Matahoowy FAILED!
And you will be added to our ART POLICE TIOI(Trying to Insult Our Intelligence) list of

Top That Killer!

We do appreciate your appreciation for Mathart and do encourage you keeping up with your craft.

I appreciate your appreciation and you will notice that I purposely have avoided talking about art in this blog post and especially the art aesthetic used in the painting.

Cheers Mr. Policeman

## Friday, December 19, 2008

### See the Mathart show in Washington D.C.

Here is the link for the mathart show in Washington D.C. this January. You can see the variety of work from the links presented. The image I chose to show (above) is titled:
“A Strange Dream”
Oil crayon on paper, 20" x 24" (framed), 2008. "

The work is by Karl Kattchee, Associate Professor of Mathematics, Mathematics Department, University of Wisconsin-La Crosse, La Crosse, WI

Professor Kattchee says, "I generally work in the abstract and typically with oil crayons or pencil on paper. Each drawing has an internal logic, mathematical in nature, which usually evolves while I work. My mathematical instincts urge me to keep the internal logic consistent, but my artistic side wants to bend the rules. The soul of my drawings is the balance between the two."

## Tuesday, December 09, 2008

### Prometheus’s Epistle Nominated For A Pushcart Prize In Poetry

I am extremely grateful and happy to announce that my orthogonal space poem “Prometheus’s Epistle to Job” was recently nominated for a Pushcart Prize in poetry by the poetry journal ZYZZYZVA.

Here is the Anouncement by ZYZZYVA - I see their blog has been moved or deleted - Here is my original letter from them

## Friday, December 05, 2008

### Michael Sussna show in Carlsbad California

Tonight I went to the opening of my friend Michael Sussna at the New Village Arts Theatre in Carlsbad California. There were 21 pieces curated by Laura Kurner from the Theatre. All of Michaels Images were done with Ultra Fractal Software and more can be viewed at his website. If you get a chance to see the show you can check it out at the address below.

New Village Arts Theatre

2787 State St
(760) 729-8747

## Wednesday, December 03, 2008

### Binoy Majumdar

My friend Anand Bora has turned me onto the late Bharat (India) poet Binoy Majumdar. Today I have selected Three mathematics related poems by that were taken off of the website at this link. These were translated into English by Aryanil Mukherjee

flowers have no room for geometry or even its traces
they are all mixed up into a singular mess
geometry makes the landscape
all those lines we use in poems

from time immemorial have these poems existed
like serene mathematics
lying in an unseen corner
awaiting discovery this autumn evening
in the Bakul grove under faint moonlight

length, weight and time - these three worldly units
like there's nothing else in the can...
also a unit that measures light, or
how audible are you could be measured too
in our world, man-day is another unit

## Tuesday, December 02, 2008

### Reality?

Mathematics is not the foundation of reality.
Reality is the foundation for math.

## Sunday, November 23, 2008

### “Strange Attractors” Poems of Love and Mathematics

Sacrifice and Bliss by Kaz Maslanka(below)

Mathemaku No.10 by Bob Grumman (below)

I just received a copy of “Strange Attractors” Poems of Love and Mathematics. Furthermore, I was fortunate and honored to have my poem “Sacrifice and Bliss” published in it. The book is edited by Mathematicians and Poets, Sarah Glaz and JoAnne Growney. It is full of many traditional language poems as well as a few mathematical poems of the flavor seen in this blog. One is “Mathemaku no. 10” which I believe is one of Bob Grumman’s better long division poems.

I do want to make a comment for the record. Unfortunately there was a typo in the contributors notes whereby it mentions that Kaz Maslanka believes that mathematics is “the” language of art. It should have said that Kaz Maslanka believes that mathematics is “a” language for art. All that aside it’s a great book and it’s time to order your copy.

## Saturday, November 15, 2008

### The American Mathematical Society has accepted “The Empty Paradox”

I am grateful and honored that the American Mathematical Society has accepted “The Empty Paradox” to their annual art show which will be held in Washington D.C. this year. (To see The Empty Paradox click here)

## Sunday, November 02, 2008

### Bernar Venet in San Diego

The photo above is Bernar Venet and me.
When going back and re-reading the section about Bernar Venet in Ursula Meyer’s book on conceptual art, I was fascinated again from the statements that the young Venet made in 1971. He presented math and physics not as art but as knowledge. I remember reading this in 1978 while studying with Robert C. Morgan and saw this work to be exciting yet I was confused by the idea that physics could be presented as art. Eventually, I focused on what his statement explicitly said and I separated the aesthetics of Physics from the aesthetics of art. Even though Venet did not directly take these different disciplines to have different aesthetics I eventually read them as such and focused on separating, understanding their differences, and then putting them back together (polyaesthetics) in a single context as in my physics paradigm poems.
We are fortunate enough to have had the Scott White Gallery here in San Diego bring 13 pieces of Venet’s sculptures here to San Diego to be viewed for a year in certain urban locations of San Diego as well as along the waterfront of the bay. The image below is a photo I shot of one of the sculptures.

## Thursday, October 16, 2008

### Dog Dream Accepted for SDPUG

The polyaesthetic piece, "Dog Dream" has been accepted for the SDPUG group show at the California Art Institute in San Diego, California.

Art Institute of California - San Diego
7650 Mission Valley Rd
San Diego, CA 92108-4423

Map Quest:

iego&state=CA&zipcode=92108-4423

The opening reception is this Friday, October 17th from 6 to 8pm.

Who is in the show?

## Thursday, October 09, 2008

### ZYZZYVA Fall 2008

Kaz Maslanka’s Orthogonal space poem titled “Prometheus’s Epistle to Job” has recently been published in the latest edition of the West Coast Poetry Journal “ZYZZYVA”

## Friday, October 03, 2008

### Show at the Bonita Museum

Kaz Maslanka’s artworks titled, “The Empty Paradox” and “Temptation” will be part of “Urban Legends and Country Tales” an international Juried Art Show at the Bonita Museum - Oct 4 to Nov 15
The opening and public reception for Urban Legends and Country Tales will be 6 to 8:30 pm on Saturday, Oct. 4th. Admission is free to the Bonita Museum, 4355 Bonita Road, Bonita CA 91902. Hours are 10:00am - 4:00pm - Wednesday through Saturday. For museum information, contact Vicky DeLong, Museum Director, 619-267-5141.

## Friday, September 05, 2008

### What Is The Difference Between Multiplication And Addition In The Context Of Mathematical Poetry?

Before I talk about addition and multiplication in mathematical Visual Poetry I would like to present the following two paintings by Giorgio De Chirico. These were created in the beginning years of the 20th century.

When I was visiting the inner harbor of Baltimore, Maryland I came across a most interesting tower. I later found the name to be "The Shot Tower". (Below)

As you can see, it is tall, cylindrical and has a little flag on the top of it. It reminded me of the towers I have seen in many Giorgio De Chirico paintings. I only included two painting here in this blog post but, there are many more that can be found in art history books.
So I got the idea to take it into Photoshop and turn the scene into a De Chirico-ish image.
I titled the piece: “THE QUESTION OF DE CHIRICO” and it poses the question: “Is the image on the right side of the piece equal to the ideas of Baltimore times De Chirico or is the image equal to the ideas of Baltimore plus De Chirico?

In my original post on this 'kogwork' I received a couple of responses that proved to me that it is an interesting question and the answer is not as esoteric as one might imagine. I will display and discuss the responses at the bottom of this blog entry.
I gave a lecture on Polyaesthetics and Mathematical Poetry last year at the Salk Institute and within the boundaries of my presentation I had a section that addressed this very issue.   From that lecture I am going to borrow a few images to help illuminate this most interesting idea. Let us think about the equation 3 + 4 = 7 and let us look at a pie chart to help illuminate our quest. When we add 3 and 4 together we can distinctly see the separate pieces within the pie as well as seeing the entire seven pieces. (Shown below)

I also want to thank Todd Smith for his wonderful comments as well. I think the point that we all would like to assert is that this idea of adding and multiplying images (or concepts) is easy to understand. I would love to see more from everyone out there.

Thanks. Kaz

## Thursday, August 28, 2008

### Sherrill's Music

The similar triangles poem above titled Sherrill's Music is inspired by Robert Sherrill's 1970 book titled "Military Justice is to Justice as Military Music is to Music"

## Tuesday, August 26, 2008

### A Math Art Moment #12

In science one tries to tell people, in such a way as to be understood by everyone, something that no one ever knew before. But in poetry, it’s the exact opposite. —Paul Dirac

## Thursday, August 21, 2008

### The Lotto

Here is a polyaesthetic piece of mathematical visual poetry based on the similar triangles poem titled “LOTTO” The photo was shot in Las Vegas. The inspiration for the piece came while being part of a shared "lotto pot" in an office setting. Watching all of the people fantasizing about winning was fascinating.

The poem can be read multiple ways including the following:

The lotto is to financial fantasy as ogling pornograpy is to sexual fantasy.
-or-
The lotto is to ogling pornograpy as financial fantasy is to sexual fantasy.

## Wednesday, August 13, 2008

### Math Test Results (Math Jokes)

Kevin Watters sent me a few math jokes the other day and I thought it may be nice to share them. ------------------------------------------------------------------------------

This is pretty close to being visual mathematical poetry. The student is probably a fine art major and got lost in his/her own thoughts --- why answer the question when you can be creative?
:)

You would think the student would get some extra credit for this ... ok maybe not.

This student deserves no extra credit.

I know this feeling.

## Saturday, August 09, 2008

### Freshness

Here is a Polyaesthetic piece with a 'Similar Triangles Poem' titled "Freshness"

## Thursday, August 07, 2008

### The Question of De Chrico

I have noticed many small mathematical poems on the internet that are in the form of A+B=C . This form is a perfectly legitimate form however, there are times when I think the author intended you to understand it in terms of A*B=C . There is some confusion as to what is the difference between addition and multiplication within the realm of mathematical poetry. I would love to hear anyone try to explain the difference between the two. In the mean time I have posted a piece above that asks that very question.

The piece is titled: “THE QUESTION OF DE CHIRICO” and it poses the question: “Is the image on the right side of the piece equal to the ideas of Baltimore times De Chirico or is the image equal to the ideas of Baltimore plus De Chirico?

I invite anyone to choose between the two statements and explain why and I will post the answers.

## Friday, August 01, 2008

### The King's Crown

Here is another Similar Triangles Poem entitled "The Kings Crown"

## Monday, July 14, 2008

### Natural Selection

This entry is a polyaesthetic piece titled "Natural Selection" the structure of the poem inside is a similar triangle poem.

In this section of the side bar there are four articles.

The first article is a paper that was published in the journal of mathematics and the arts titled “Polyaesthetics and Mathematical Poetry”. This paper is a good introduction to Mathematical Poetry for it shows some of the main ideas as well as some techniques used to create mathematical poetry. One of the more important ideas it addresses is that of mathematical metaphor. The paper addresses basic theory as well as providing examples.

The second article is a paper published in the 2006 Bridges Proceedings titled “Verbogeometry, The confluence of words and analytic geometry This paper explains the mechanics of how mathematical poetry can use Cartesian space as a medium for words. It provides examples of analytic geometry as well as the mathematical poetic counterpart.

The third article is an interview published online at word for/word a journal of new writing. The interview was conducted by poet/theoretician Gregory Vincent Thomasino and is formulated in three groups of questions. The first group of questions is about the influences of Kaz Maslanka and the second and third address mathematical poetic theory.

The forth article is a list of terminology that is related to the area where the arts and mathematics meet.

## Wednesday, July 09, 2008

### Substitution in Mathematical Poetry

Substitution in Mathematical Poetry
This Blog entry will show an example of substitution in mathematical poetry. Substitution can occur when we have two equations that have a common term. For example let’s look at the two equations which have the same form as two similar triangles poems: A = BD/E and A = HJ/U since both equations have the term A’ in common and consequentially they both happen to be solved for ‘Athen we can set both equations equal to each other as such:
BD/E = HJ/U
We know that we can solve for any of the variables in our new equation and get a new equation in terms of one variable. Let do so and solve for J so we now have: J=UBD/EH
So now let’s apply what we have just witnessed to two similar triangles poems.
First of all we must look at the following two poems.

We know from our earlier example that we can solve a mathematical equation for any term in it. If we take the first poem and solve it for “my memories” we then can present the poem as:

Notice (below) that we have the two poems solved for the same term (my memories).

Now we can set each poem equal to each other because they both have identical terms. (see below)

We also know that we can solve this poetic equation for any of the terms in it. So let us solve this poem in terms of “Delaware River”

Now we can see that the later poem was derived from the two similar triangles poems shown at the top. What is interesting is that all of the logical processes used to create the first two poems are contained in our resultant poem including the subtle differences in the contexts of each initial poem.
Substitution can also be used in poems created by different poets as long as they have a common term. Follow this link to collaborative substitution poems.

The following polyaesthetic piece uses the image of a shipping beacon located at Cedar Swamp on the Delaware side of the Delaware River. The full Delaware River Poem from our example is nestled in the lower left hand corner of the image. The physical size of the digital image is 67” x 31”

## Tuesday, July 08, 2008

### Delaware River Correction

I actually made a mistake on my last blog entry. I meant to post the two similar triangles poems (above). If you were on your toes you would have noticed that the last blog entry was actually the same equation (poem) solved for different terms. Today’s entry is two different poems that also share a common term. What is interesting is what we will do with these two poems on the next blog entry. Can you guess what I will do?

## Monday, July 07, 2008

### Delaware River Memories

Here are a couple of similar triangles poems inspired by a romantic encounter around ‘Cedar Swamp’ on the Delaware River. Notice that they both have one term in common.