Showing posts with label Robert Fathauer. Show all posts
Showing posts with label Robert Fathauer. Show all posts

Monday, December 05, 2011

Robert Fathauer Show in Hungary

My friend Robert Fathauer is having a show in Hungary check it out here

Thursday, January 15, 2009

Joint Meeting of the American Mathematical Society and Mathematical Association of America Conference 2009


This blog entry is to share a few moments and images of the AMS and MAA Joint Meeting held this year in Washington D.C. The first lonely image is a view from my hotel room bed as I tried to get to sleep by counting the sheep jumping over the Washington Monument. The weather for the most part was cold and rainy and made my three-quarter mile walk to the conference a little trying at times. However the last day was nice and offered the image below which was shot from my hotel room window as the sun was rising in the east.

The shot below is a 180 degree panoramic view of 21 images sewn together to provide an overview of the entire show of mathart. The show is always modestly done due to its modest budget (relative to art galleries) but it is always done well and the people who work on it are wonderful enthusiastic individuals who feel mathart can make a difference. They even gave out prizes this year.
The shot below is of the past president of the Mathematical Association of America, Joseph Gallian as he was browsing the show.

Speaking of browsing the show … The next image (below) is of our friend Ivars Peterson who writes about mathart for many publications including Science News.

From left to right: Reza Sarhangi the nucleus of the Bridges Conference on mathematical connections in art music and architecture , Annette Emerson, the Public Relations Officer of the AMS and Anne Burns, one of the Judges for the mathart exhibit and webmaster for the mathart exhibit webpage.
The next image is of Robert Fathauer who curates the mathart show each year and also owns and operated Tessellations a company devoted to selling objects that inspire the math aesthetic.

Here is Nat Friedman and one of his knots displaying a minimum surface by spanning a soap bubble film across the knot. Very interesting and simple stuff showing complex concepts.

The next image is of Reza Sarhangi with Arthur Benjamin who happens to spend a lot of time on stage racing calculators … I have seen him in action and yes, he can calculate in his brain faster than you can calculate on your hand calculator. Check out this video.




JoAnne Growney and Sarah Glaz recently edited an anthology of mathematical love poems titled “Strange Attractors”. The book was published by AK Peters and can be seen in the above photo at the bottom right of the image. Also in the photo are Klaus Peters (left) and his lovely wife Alice (Thus AK). The conference also provided a poetry reading session to deliver poems from the book. The event was organized by co-editor JoAnne and you can see the crowd gathering for the reading in the image below.





In the image above you can see JoAnne standing and speaking to the crowd and Sara sitting and listening (lower right). The image below is of fellow mathematical poet Bob Grumman as he delivers one of his long division mathematical visual poems.




The image above is of me delivering my poem "Prometheus's Epistle to Job"

Here is a link to a review of the poetry reading by
Karren Alenier.

Friday, December 19, 2008

See the Mathart show in Washington D.C.


Here is the link for the mathart show in Washington D.C. this January. You can see the variety of work from the links presented. The image I chose to show (above) is titled:
“A Strange Dream”
Oil crayon on paper, 20" x 24" (framed), 2008. "

The work is by Karl Kattchee, Associate Professor of Mathematics, Mathematics Department, University of Wisconsin-La Crosse, La Crosse, WI

Professor Kattchee says, "I generally work in the abstract and typically with oil crayons or pencil on paper. Each drawing has an internal logic, mathematical in nature, which usually evolves while I work. My mathematical instincts urge me to keep the internal logic consistent, but my artistic side wants to bend the rules. The soul of my drawings is the balance between the two."

Tuesday, December 18, 2007

Reza Sarhangi - At The AMS Show in San Diego - January

The next few days I am going to diverge from mathematical poetry and display some of the visual mathematics work done by many talented people who have their work admitted to the American Mathematical Society mathart show coming up in January. The following image is by Reza Sarhangi and Robert Fathauer (see Robert's work)
Reza is one of, if not the most important person in the vismath genre for Reza is the nucleus of the Bridges conference on mathematical connections in art music and science. He is a very special man and I really appreciate everything he has done and continues to do for the genre.



This print was inspired by Abu’l-Wefa Buzjani's (10th Century Persian mathematician) construction of a regular heptagon contained in his treatise, “On Those Parts of Geometry Needed by Craftsmen”. His construction is illustrated by the linework in the center portion of the print. The characters around the perimeter of the design repeat Buzjani’s name in Farsi.


Reza Sarhangi, Professor of Mathematics, Towson University and Robert Fathauer, Small business owner, puzzle designer, and artist, Tessellations Company


Reza Sarhangi is interested in Persian geometric art and its historical methods of construction, which he explores using the computer software Geometer's Sketchpad. Robert Fathauer creates digital artworks on a Macintosh computer, primarily using the commercial programs FreeHand and Photoshop.

Thursday, December 13, 2007

Robert Fathauer At The AMS Show in San Diego - January

The next few days I am going to diverge from mathematical poetry and display some of the visual mathematics work done by many talented people who have their work admitted to the American Mathematical Society mathart show coming up in January. The following image is an M.C. Escher homage by Robert Fathauer. Also to note that Robert has curated many mathart exhibitions around the world.



"Angels and Devils" is a digital artwork based on a fractal arrangement of circles within circles. Two half-scale circles are placed within the starting circle and rotated by an angle of π/4 in opposite directions. These steps are then repeated in the smaller circles, etc. The motifs pay homage to one of M.C. Escher's most famous prints, "Circle Limit IV", which also contains angel and devil motifs. Escher's print is based on hyperbolic geometry, which distorts the motifs as they get smaller. All of the tiles in "Angels and Devils" are similar in the Euclidean plane.


Robert Fathauer, Small business owner, puzzle designer, and artist, Tessellations Company


Robert Fathauer makes limited-edition prints inspired by tiling, fractals, and knots. He employs mathematics in his art to express his fascination with certain aspects of our world, such as symmetry, complexity, chaos, and infinity. His artworks are created on a Macintosh computer, primarily using the commercial programs FreeHand and Photoshop. More recently, he has been exploring fractal arrangements of polyhedra

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