Thursday, May 27, 2010

Morality is not Rational?


This is a snipit obtained by Delancyplace but ultimately comes from an excerpt from Jonah Lehrer.


"Psychopaths shed light on a crucial subset of decision-making that's referred to as morality. Morality can be a squishy, vague concept, and yet, at its simplest level, it's nothing but a series of choices about how we treat other people. When you act in a moral manner - when you recoil from violence, treat others fairly, and help strangers in need - you are making decisions that take people besides yourself into account. You are thinking about the feelings of others, sympathizing with their states of mind.

"This is what psychopaths can't do. ... They are missing the primal emotional cues that the rest of us use as guides when making moral decisions. The psychopath's brain is bored by expressions of terror. The main problem seems to be a broken amygdala, a brain area responsible for propagating aversive emotions such as fear and anxiety. As a result, psychopaths never feel bad when they make other people feel bad. ... Hurting someone else is just another way of getting what he wants, a perfectly reasonable way to satisfy desires. The absence of emotion makes the most basic moral concepts incomprehensible. G. K. Chesterton was right: 'The madman is not the man who has lost his reason. The madman is the man who has lost everything except his reason.'

"At first glance, the connection between morality and the emotions might be a little unnerving. Moral decisions are supposed to rest on a firm logical and legal foundation. Doing the right thing means carefully weighing competing claims, like a dispassionate judge. These aspirations have a long history. The luminaries of the Enlightenment, such as Leibniz and Descartes, tried to construct a moral system entirely free of feelings. Immanuel Kant argued that doing the right thing was merely a consequence of acting rationally. Immorality, he said, was a result of illogic. ... The modern legal system still subscribes to this antiquated set of assumptions and pardons anybody who demonstrates a 'defect in rationality' - these people are declared legally insane, since the rational brain is supposedly responsible for distinguishing between right and wrong. If you can't reason, then you shouldn't be punished.

"But all of these old conceptions of morality are based on a fundamental mistake. Neuroscience can now see the substrate of moral decisions, and there's nothing rational about it. 'Moral judgment is like aesthetic judgment,' writes Jonathan Haidt, a psychologist at the University of Virginia. 'When you see a painting, you usually know instantly and automatically whether you like it. If someone asks you to explain your judgment, you confabulate ... Moral arguments are much the same: Two people feel strongly about an issue, their feelings come first, and their reasons are invented on the fly, to throw at each other.'

"Kant and his followers thought the rational brain acted like a scientist: we used reason to arrive at an accurate view of the world. This meant that morality was based on objective values; moral judgments described moral facts. But the mind doesn't work this way. When you are confronted with an ethical dilemma, the unconscious automatically generates an emotional reaction. (This is what psychopaths can't do.) Within a few milliseconds, the brain has made up its mind; you know what is right and what is wrong. These moral instincts aren't rational. ...

"It's only after the emotions have already made the moral decision that those rational circuits in the prefrontal cortex are activated. People come up with persuasive reasons to justify their moral intuition. When it comes to making ethical decisions, human rationality isn't a scientist, it's a lawyer. This inner attorney gathers bits of evidence, post hoc justifications, and pithy rhetoric in order to make the automatic reaction seem reasonable. But this reasonableness is just a facade, an elaborate self- delusion. Benjamin Franklin said it best in his autobiography: 'So convenient a thing it is to be a reasonable creature, since it enables one to find or make a reason for everything one has a mind to do.'

"In other words, our standard view of morality - the philosophical consensus for thousands of years - has been exactly backward. We've assumed that our moral decisions are the byproducts of rational thought, that humanity's moral rules are founded in such things as the Ten Commandments and Kant's categorical imperative. Philosophers and theologians have spilled lots of ink arguing about the precise logic of certain ethical dilemmas. But these arguments miss the central reality of moral decisions, which is that logic and legality have little to do with anything."

Author: Jonah Lehrer
Title: How We Decide
Publisher: Houghton, Mifflin, Harcourt
Date: Copyright 2009 by Jonah Lehrer
Pages: Kindle Loc. 1922-79

Monday, May 24, 2010

Martin Gardner Passes


Martin Gardner, 95, a journalist whose omnivorous curiosity gave rise to wide-ranging writings that popularized mathematics, explored theology and philosophy, debunked pseudoscience and provided in-depth analysis of Lewis Carroll's Cheshire Cat, died May 22 at a hospital in Norman, Okla.
more ...

Saturday, May 15, 2010

Links

The shape of things
http://www.sciencedaily.com/releases/2010/03/100330102747.htm
Golden ratio video
http://www.etereaestudios.com/docs_html/nbyn_htm/intro.htm
John Sims at the Bowery Poetry Club
http://www.artinamericamagazine.com/news-opinion/the-scene/2010-03-25/adrian-piper-john-sims-mark-strand-bowery/print/
European society for Mathematics and Arts
http://mathart.eu/newsletter.html
Some interesting links on Mathematics Poetry
http://mathdl.maa.org/mathDL/iol.co.za/46/?pa=content&sa=viewDocument&nodeId=3482&bodyId=3789

Tuesday, April 27, 2010

John Sims




While I was in NYC to take down the show I met John Sims at the Bowery Poetry Club. (Photo above) We discussed the upcoming event on mathematical graffiti for which Richard Kostelanetz, Gregory Vincent St. Thomasino, Stephane Strickland, Bob Grumman and myself will be performing in some capacity – not sure what I will be doing but, I will keep you informed. The photo below is the Recent show of Sol LeWitt - Adrian Piper that John put together at the Club.




The video below is John Sims talking about the upcoming events at the Bowery Poetry Club in NYC. My apologies to John for the poor sound quality. If you are on facebook you can follow John at: http://www.facebook.com/rhythmofstructure

Geof Huth and I at the Spectrum Of Jewels


While I was in NYC to tear down the show Geof Huth and his family met me at the gallery. It was my first meeting with Geof and I enjoyed it greatly. We had a great discussion and he took many pictures of the installation. Above is a shot that his wife Nancy took of us.


Here is a wonderful shot that Geof took of me among the spheres.

Saturday, April 10, 2010

The Lab Gallery Video


Here is a new released video from "The Lab Gallery" For "A Spectrum Of Jewels" (Please Click On The Image)

Saturday, April 03, 2010

Tools For A Spectrum Of Jewels

More about the Dodecorthogonal Space Poem, "A Spectrum of Jewels":

Here is a photo (albeit a poor one from my iphone) from the banquet/opening showing some of the guests. From left to right:
Richard Kostelanetz, Gregory Vincent St.Thomasino, Kaz Maslanka, Joseph Nechvatal , Robert C. Morgan





Below is a video which shows some tools to help access the piece. Eventually I am going to write a paper that will make things even more clear as to the mechanics of this piece however it is down the road a bit. For now here are the verses of the Dodecorthogonal Space Poem: (which are Orthogonal Space Poems in themselves - poems within a poem)
The non-recognizable words at the end of each line are fabricated due to no word in the English language that represents the value of the equation; therefore the meaning of each word is derived only through mathematics.

Emptiness times Monasticism = Apecksuval
Emptiness times Existence = Doalldoxuval
Emptiness times Non-existence = Nonalldoxuval
Thinking times Urbanity = Selcrasaval
Thinking times Monasticism = Taoodoxuval
Thinking times Existence = Wastconditival
Thinking times Non-existence = Dreemholeval
Existence times Urbanity = Natucrasaval
Existence times Monasticism = Onkeval
Non-existence times Urbanity = Boidasval
Non-existence times Monasticism = Onkeval



The Dodecorthogonal Space Poem is a ‘mathematical poem’ constructed with twelve ‘Orthogonal Space Poems’ arranged contiguously within a Cartesian coordinate system. Orthogonal Space Poems are always in the form of ‘A’ equals ‘B’ multiplied by ‘C’. What is different in this new work is that one of the variables in each poem is a fabricated word whose meaning comes from the mathematical operation applied to the other two variables (words). The words were carefully chosen to point to a spectrum inspired by Zen teachings. Thus, the aesthetic value of the piece is derived from visualizing the meaning of all the concepts spread throughout the entire three dimensional space.

The following URL will take you to a page that has some images of a “computer aided design mockup” showing the main structure of the installation: http://www.kazmaslanka.com/RogerSmith.html

The following statements are to help navigate the installation:
The yellow ball is the point of origin for the entire system.
The white balls define the axes (notice there are three axes)
The green balls are points in space which represent the meaning of a concept which lies on one of the ‘word axes’. A word axis is a one dimensional line drawn between two concepts in space. In a three dimensional space you may have three ‘word axes’. The three word axes in this installation are “Emptiness / Thinking”, “Existence / Non-existence” and “Monasticism / Urbanity”
The red balls are points in space to delineate the coordinate pairs for which the orthogonal space poem starts. The poem lies on the planer space that lies between the red ball, the two adjacent green balls and the yellow ball.”

Here are the verses again however it is important to note that these verses really don't exist on the page they exist as rectangles in space at a particular location in the Cartesian coordinate system.

Emptiness times Urbanity = Socrastival
Emptiness times Monasticism = Apecksuval
Emptiness times Existence = Doalldoxuval
Emptiness times Non-existence = Nonalldoxuval
Thinking times Urbanity = Selcrasaval
Thinking times Monasticism = Taoodoxuval
Thinking times Existence = Wastconditival
Thinking times Non-existence = Dreemholeval
Existence times Urbanity = Natucrasaval
Existence times Monasticism = Onkeval
Non-existence times Urbanity = Boidasval
Non-existence times Monasticism = Onkeval

The theory for this piece can be understood within the body of my paper on Verbogeometry found here

This image may be helpful as well

Monday, March 15, 2010

Installation Video For A Spectrum OF Jewels

Here is a video overview of the installation for "A Spectrum of Jewels" an art installation exhibited at The Lab Gallery in New York City by Kaz Maslanka. The show was curated by artist, international art Critic, and author Robert C. Morgan




Here is a playful fly-though view of a spectrum of Jewels. - One person called it a fly's fly-though however I think a fly is a better pilot.

Sunday, March 14, 2010

Video From The Banquet At The Lab Gallery

Matt Semler introduces Kaz Maslanka at the banquet for "A Spectrum of Jewels" Roger Smith Hotel - New York city - March 3, 2010



Poet Philosopher Gregory Vincent St. Thomasino toasts Kaz Maslanka at the banquet for "A Spectrum of Jewels" Roger Smith Hotel - New York city - March 3, 2010



Kaz Maslanka speaks about "A Spectrum of Jewels" at the banquet for "A Spectrum of Jewels" Roger Smith Hotel - New York city - March 3, 2010 (part one)




(part two)


One very bad oversight, at the banquet, was not to thank some special people that helped make this thing happen. First of all, I would like to thank Robert C. Morgan - it was his idea for me to show at The Lab Gallery and it would not have happened if not for him and his work - I also want to thank Matt Semler, his vision for The Lab Gallery and how he pushed me into a direction that made me formulate the idea and to execute a three dimensional work, for I haven't done any serious three dimensional work in thirty years. Next I want to thank my beautiful wife and co-conspirator Ilju-Min Maslanka for helping me with the construction as well as putting up with my neurotic behavior throughout the whole deal. I also want to thank my colleague Ed Johnson who was a great sounding board and idea-mind when it came to the nuts and bolts of the thing. I want to thank my great friend Glenn Alexander for canceling his busy schedule and coming out and helping me install the piece in the gallery. Also helping me with the install was my friend Gregory Vincent St. Thomasino who also gave up a busy day to help. And lastly I want to thank Kelly Tracy who let me toil and ponder in his Imperial Beach studio as I tested my method for the install. Thank ALL of you for I could not have done it without you.

Kaz

Thursday, March 11, 2010

"A Spectrum Of Jewels" Is On Display Until March 27th



The show went up without a hitch and I am pleased with the responses. I am posting a few pictures of the show as well as the neighborhood. The first three pictures show the neighborhood.
Here is a shot looking south on Lexington at 48th street with the gallery being where the green sign (Hotel Roger Smith) and the ground meet.



This second photo is a panoramic shot showing east on the left side of the photo and south on the right hand side of the photo. The gallery is in the lower left hand corner and you can see the installation through the window. The gallery is viewed from the street and due to its great location in the heart of Midtown Manhattan it will have many viewers. (The gallery says 2500 per day)


This shot is obviously during the day and looking north at the gallery.




This shot was taken at night looking east (and a tad north) from the sidewalk through the windows.


This shot was taken inside the gallery space looking east (and a tad north)- It shows the lower half of the piece.


Here is a shot of the upper part of the installation looking straight east.



Here is a shot from outside the gallery looking Northeast

If you are in NYC please check it out!
Thanks!

Sunday, February 21, 2010

Roger Smith Labs Press Release

Here is the press release from the Roger Smith Labs for my upcoming show at their gallery. If you are in New York City in March then please come by and check it out.

Visit the National Gallery of Writing