Tuesday, July 14, 2020

Bridges Mathart Poetry



The COVID-19 crisis has put the kibosh on the Bridges mathart conference but in its place, Sarah Glaz has put together a wonderful program of Bridges Mathart poet videos. I was going to write a nice post about this compilation but JoAnne Growney has done such a wonderful job - I will just share a link to her blog.

https://poetrywithmathematics.blogspot.com/2020/07/math-poetry-for-virtual-bridges.html

By the way, I have a video in the compilation as well.
Thank you, Sarah!

Sunday, July 12, 2020

Video of Dementia

A new work stemming from my poem Dementia
Video Martyna Kita
Music by Marcin Maślanka



Thursday, April 23, 2020

Dementia

My father passed ... gone
and within his wake
my mother took up residence, with an
obscured assassin.

Immune he is protected in her house
the darkest of nights

unbeknownst to her
he's carving her brain a sliver a day

ingesting it ... smiles
content with arrogant entitlement.
Belching from his bowels
the pieces of her sweet identity
fluttering away with the morning sun
waiting ... father collects them in his heart
like cupid's quivers.

My sibling and I are wringing our hands
circling this vortex with drowning child ...

She is ninety-four going on fourteen
with anachronistic vanity she
fluffs her naturally charcoal grey hair
Oh yes - oh no! Does my lipstick look right?



The current state of morning
at my parent's lonely bed

Tuesday, October 15, 2019

"10,000 Dharmas Return to ..." Receives Award at Art San Diego

I am grateful to have received an award at the "Art San Diego" art fair.
(Left) Kaz Maslanka (Right) Oceanside Museum of Art Curator Vallo Riberto


Some background and tools to access this piece:   
        I am fortunate enough to have married a wonderful Korean lady who has given me the ability/access to study Zen in the temples of Korea. Chun Jin Sunim and the Tongdosa monastery has been instrumental in inspiring me to research and apply to my practice.

       One of the most important experiences I have had is studying the Diamond Sutra as taught by Hyon Gak Sunim. It is chapter thirty-one of the Diamond Sutra that inspired the work shown in the photo and it is chapter thirty-one that inspired me to concern myself with the concept: "We are all made of the same substance." The great Zen master Seung Sahn Sunim puts it this way:

       "In the big cookie factory we call earth, there are many kinds of cookies. They take many different shapes and have different names, but they are all made from the same dough. Because they are all made from the same material we can make God, we can make Buddha, we can make Demon, we can make Satan. The myriad things in our world all have different names and forms, but the taste is the same. Even people come in many different shapes and colors: western people, Chinese people, Korean people. They all have a different appearance, but their substance is the same. So, the Buddha said, "Above is the dwelling place of all Buddhas, below is the six realms, and all have the same substance. One by one, everything is complete; one by one, everything has it. One by one, everything interpenetrates everything else. One by one, each thing is complete." 

       The thought crossed my mind that even the most disgusting creatures are the same as myself. So I was inspired to make this mathematical visual poem to point at this transcendent idea. If you think about five divided by five equaling one, or a million divided by a million equaling one, then you can see that anything divided by itself equals one -- including a cockroach divided by me.

       On a side note, a few years ago I took a Tongdosa Korean Monk to Mount Whitney so that he could hike the John Muir Trail. It was summer and the nights were beautiful -- black and saturated with stars.  One night, I looked up into the south and could see Sagittarius and Scorpio adorning the firmament.  My mind went to the fact that located between those two constellations is a big black hole operating at the center of our galaxy. Inspired, I shot a photo of the vista and used it as the background of this piece such that the center of the image is the center of the galaxy.  The orange-blue frame of the piece is a photo of a sunset that I used to run the perimeter to create a portal pointing inside. In addition, the Chinese character drawn inside the number "1" is the pictograph "Buddha's Mind."

       I recently showed this piece in Osaka, Japan. But before I sent it, I pondered the dubious title, "One" --  it seemed tautological. I contacted Hyon Gak Sunim and explained my dilemma and the need for retitling. He found it interesting that I contacted him on this piece for he said this expression was his favorite piece out of all my work. I thanked him for his gracious words and asked him if he would be kind enough to re-title this piece. He immediately said, "10,000 Dharmas return to ..." and explained that the title comes from the ancient Chinese Kong-an: "10,000 Dharmas return to One. Where does the One return?"

     Hyon Gak Sunim said that this piece points directly to this ancient Chinese Kong-An (Zen Koan). 



    [Note: 10,000 is the equivalent concept of infinity in ancient Chinese]
An interesting thing to ponder is what happens when one puts themselves (self) in the denominator and "take the limit" of self approaching zero?  In other words, when one makes the value of the self "zero"* the resulting "one" (Buddha's Mind)  turns into infinity - thus returning infinity to the one.

*Mathematics forbids dividing by zero - but we can take the limit as a value approaches zero.

Tuesday, July 16, 2019

Analogue Sun, Digital Moon Opening Photos @LACDA July 13, 2019


LOS ANGELES CENTER FOR DIGITAL ART


Here are some shots of the opening at the Los Angeles Center for Digital Art. July 13, 2019
Show curator Jesse Russell Brooks and his daughter Maggie 

Show curator Jesse Russell Brooks and Oceanside Museum of Art curator Vallo Riberto

Los Angeles Center for Digital Art director Rex Bruce and Maria Turner

Writer/Gallery owner Mat Gleason and Artist Tiffany Trenda

Artist Tiffany Trenda

A visual poem by Bill Barminski

Artwork by Daniel Leighton

Daniel and Steve Leighton



Photographer Karen Turner



Artist Victor Acevedo

Artist/Gallery owner Toru Nakatani





















Kaz Maslanka Lecture and Workshop @ The Los Angeles Center for Digital Art 8-3-2019

Image from the film  THE LAST KNOWN PERSON (2019)  director. Pat van Boeckel poet. Ester Naomi Perquin | Image of Hans-Georg Henke photographed by John Florea.Kaz Maslanka Lecture and workshop on Mathematical Visual Poetry August 3, 1:00PM @ The Los Angeles Center for Digital Art

Check out the schedule for all speakers at this link

Visit the National Gallery of Writing