Two Mathematical Poems For Gregory Vincent St. Thomasino

“Profundity” is the title of the first mathematical poem and the second “Logoclasody”.

The drawing above is by Gregory Vincent St. Thomasino

If discourse is a river then what is a lake?
Is not the Philosopher a dam?

Logoclasody


The two mathpoems above are similar triangles poems
Also related is the Avrin proposition

Schopenhauer’s Wax

Here is another Similar Triangles poem titled "Schopenhauer’s Wax"

Also related to this structure is the Avrin proposal

Death

Here is another similar triangles poem Titled “Death”
Also related to this poem is the Avrin Proposal

The Avrin Proposition

The Avrin Proposition
Please familiarize yourself with the similar triangles poems to help with the following.

The physicist William Avrin has restructured the similar triangles poem to form a new proposition to ponder. He uses a edited example of the similar triangles poem titled “The Lottery” that was posted Friday March 9, 2007 (below)



From the poem above to the examples below.

Here we have the "The Avrin Proposition" shown in the simile version



Here we have the "The Avrin Proposition" shown in the metaphor version



The idea of us solving the question, whether the statements equal 1 or any number for that matter, would require some rigorous control of the contexts in question and furthermore, they (the contexts) would need to be limited greatly to have any meaningful value. I personally am not that interested in finding the perfect number that is entirely too scientific for me. However, I wish to say that I believe mathematical poetry is more about the ‘aesthetic feeling’ of the mathematical relationships within the equation as opposed to the quest to solve it for hard numbers. However there is a very interesting twist to this idea of number in mathematical poetry.

Here in the Avrin proposition we are bouncing our understanding of the words and our feeling of the relationships against the resulting number and thus forming a comparison for metaphoric conflation. In another words the source domain of the metaphor is the statements “playing the lottery” divided by “ogling pornography” as well the statements “financial fantasy” divided by “sexual fantasy” and our target domain is the number “1”. Here we have a very good example of an aesthetic feeling involved in metaphor that conflates from number and words.

Thank you Bill Avrin for pointing this out!