Autobiography

Every aesthetic production is autobiographical in the sense that one exposes a piece of one’s soul with every expression.  

Kaz Maslanka

Gender Identity by Larry Lesser

Congenital Wisdom on view at the Joint Mathematics Conference in San Diego

Last August "Congenital Wisdom" was show at the Bridges show at the University of Waterloo in Ontario. It is a mathematical visual poem which incorporates a mathematical paradigm poem. The paradigm that I am using is Newtons equation for the law of gravity. In a paradigm poem we map concepts into the existing equation to create conceptual metaphors across the cognitive domains.

The piece points to the idea that the legendary events involving two different apples were both creative events. One being Newton's apple that he saw falling out of the tree and the other being the apple from the knowledge of good and evil. In the poem you will see that the force of creativity is acting on both apples. You will notice that the distance between the apples is described by mapping concepts across a five dimensional distance formula. The concept of negentropy is mapped to the gravitational constant in Newton's equation. I have gone into much detail to give you the tools to access this piece in a YouTube video that can be accessed here: Lecture on Congenital Wisdom

Currently this piece is on view at the Joint Mathematics conference in San Diego California through January 17

Cantor's Ternary Palindrome by Larry Lesser

Forebear Square by Lawrence Lesser

Visual Poetry by Larry Lesser

... and Number Trapezoid

MEANings by Larry Lesser

Mathematics Professor Lawrence Lesser, Ph.D. provides us with a couple of mathematical visual poems:

These were part of a paper:
Lesser, L.M.(2011) "Making Statistics Memorable: New Mnemonics and Motivations," in Proceedings of the 2011 Joint Statistical Meetings, Section on Statistical Education, 1118- 1124.

Click here for the paper          http://www.statlit.org/pdf/2011Lesser-JSM.pdf

Maholy Nagy 1922

Culture

Aesthetic expressions are the literally the boundaries of culture.

Kaz Maslanka at Crafton Hills College

I was honored to be a part of the Parallels:Medicine+Art show at Crafton Hills College. On March 28th, I gave a lecture on mathematical visual poetry as well as having a couple of pieces in the show. Here are a few photos from the event.

Here are the two pieces that were displayed in the show. "Newtons Third Law In Karmic Warfare" 

and "Singularity at Vulture Peak"

The Life of a Mistake

Mistakes when repeated by others become culture.

An Analysis Of Introspection by Connie Tettenborn

Here is a new piece titled "An Analysis Of Introspection" by Connie Tettenborn

Math Humor -- Velociraptor

I don't know who the author of this is - We have to thank John Chalmers who sent it to me.

Clara B. Jones and Hamilton's Rule

The following piece was submitted to me by Clara B. Jones. I would classify this piece as an illustration of an equation.

In this piece we can see W.D. Hamilton's Rule expressing when it benefits "ego," an Actor, to help a Recipient, an individual of the same species. I designed the image, and the artwork was drawn by Liz Williams. I, also, include a brief bio. Thank you for considering my work. Sincerely, clara b. jones


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Bio: Clara B. Jones is a retired scientist, currently practicing poetry in Asheville, NC, USA. As a woman of color, she writes about the “performance” of identity and power and conducts research on experimental poetry. She is the author of two chapbooks, and her poems, reviews, essays, and interviews have appeared or are forthcoming in numerous venues.

The Pedagogy of Moonlight

Here is a new 'proportional poem' titled "The Pedagogy of Moonlight" - the image is a photo shot in the very early morning moon light at an old abandoned schoolhouse in the Cedar Swamp area along the west bank of the Delaware river a few miles east of Townsend Delaware along route 9. (see if you can find it on Google street maps) There is a thunderstorm off in the distance and a breeze evident in the clouds. The muses whisper this mathematical poem to me and demand me to share it with you.
There are four ways to solve this equation with each variable or you can set it up in proportions where it will read:

 "Pining the Infinite" is to "Lost Mathematics" as "The Wind of Time" is to "Obscure Sorrow"
--OR--
"Pining the Infinite" is to "The Wind of Time" as "Lost Mathematics" is to "Obscure Sorrow"

 Below is a detail of the equation:

Pinaki Halder Number 1

A new Paradigm Poem by Pinaki Halder mapping onto Einstein 

Bob Grumman Christmas Poem

I think this is Bob's best work and I always like to post it around Christmas.

Holiday Humor

Here is a little holiday math humor sent to me by John Chalmers

I over ate.

Jeff Koons Versus Kog

I wanted to create an art that automatically the viewer could realize that they didn’t have to bring anything to the table other than themselves right at that moment.

Jeff Koons

This quote from Koons is the perfect statement about the goal of ‘pure’ Art. – And therefore the opposite of ‘pure’ Kog.

Mathematical poetry lives in the realm of ‘pure’ Kog

Mathematical visual poetry is in between ‘pure’ Art and ‘pure’ Kog yet lives much closer to ‘pure’ Kog.

Hendiadys

Is Hendiadys an operation of addition or multiplication in mathematical poetry?

Syncopation

Back in the early 1980's, inspired by the percussionist Bill Bruford, I wrote a math equation mapping the levels of power in syncopation. I have misplaced the equation but I do remember the resulting epiphany for me:

 Anticipation and surprise are the active ingredients in syncopation. (Thesis / Antithesis)