Kaz Maslanka in the "Prism" show --- Osaka Japan at The Contemporary Art Gallery

I am pleased to be a part of "Prism" a new show in Osaka Japan @ The Contemporary Art Gallery Zone. I will be showing a piece titled "10,000 Dharmas Return ..." A special thank you and shout out to the Venerable Hyon Gak Sunim who helped in retitling this piece. Also happy to have my Los Angeles buddy Brian Tucker in the show with me.

Not to forget a big thank you to Toru Nakatani for curating the show.


Below is "10,000 Dharmas Return"

Below is a show poster from the Prism show @ The Contemporary Art Gallery in Osaka

Unit Circle Words by Lawrence Mark Lesser

Karl Kemptons New Book "A History of Visual Text"

The authority of visual poetics, Karl Kempton lays it all down for you. I am happy to share with everyone 6 years in the making ...


Click Here to download: A History of Visual Text by Karl Kempton

Bengali Mathematical Poetry

Click here for the link

Kaz Maslanka at Los Angeles Center for Digital Art

I will be showing "The Graveyard of Empires

If you are in Los Angeles - see ya at the opening. February 16th 6:00PM

The Delusions of Control

Afghanistan has a horrible history of not only bands of marauders trying to control this land but, empires trying to control it as well. The piece was inspired by an Afghanistan general who said that his country is the graveyard of empires. Even today it is in political turmoil with militants trying to seize control of this vast mountainous area.  This is a proportional poem that addresses the imperial struggles of control and the futility of such a quest. 

In the vernacular, the poem can be read many ways including the following: "The value of Afghanistan is to the value of Hope as the value of The Graveyard is to the value of an Empire. Or the Value of Afghanistan is to the value of a graveyard as the value of hope is to the value of an Empire.

Kaz Maslanka to Show Again at LACDA

I am happy to be part of another show at the Los Angeles Center for Digital Art.

I will be showing "What is the Radius of Your Compassion"

What Is The Radius Of Your Compassion by Kaz Maslanka

This piece uses the formula for calculating the volume of a sphere. 

For the metaphor, I am mapping the concept of compassion into the radius of the equation.

Kaz Maslanka at LACDA Los Angeles Center for Digital Art

I am happy to be a part of the show at the Los Angeles Center for Digital Art. I will be showing "Newton's Third Law In Karmic Warfare"

Meet Kazmier Maslanka - Mathematical Visual Poet

I am honored to have SDVoyager Interview me and publish it here: CLICK HERE

Variation by Larry Lesser

Oceanside Museum Of Art Accepts Newton's Third Law In Karmic Warfare Into The Upcoming Auction

I am very honored to have my mathematical visual poem, "Newton's Third Law in Karmic Warfare" accepted into the Oceanside Museum of Art's auction. This event will be saturday, April 7th, 6:00-9:30 pm. General Admission $50, VIP $125

If you are interested in understanding more about this piece, I published a paper that will give you the tools to access it. You can download it here by clicking here.

Kaz Maslanka Electronic Music 1979-1988

I would like to thank Joel Sanderson for his work in archiving the work on this blogpost.

Here is an archive of some of my electronic music from 1979-1983


During the day that I met John Cage, a video was taken to document the event at the University of Kansas in Lawrence Kansas (Home of William S. Burroughs) In this video at seconds 28 to 38 you can see me reading statements from Cages work. It is hard for me to express how hard I connected to John Cage in that period of my life. His "Indeterminacy" record (1959) was a profound influence on my thinking. In this video you can see Cage and Burroughs chatting.

Here is a link to that video

Here is a 1988 recording of me and 3 of my friends doing an electronic improve at Kirby's Beer Store.
"An evening of experimental music performed by a temporary gathering of musicians at Kirby's Beerstore in Wichita, Kansas. It features Kevin Smith (keyboards), Kaz Maslanka (keyboards), Brian Curtis (keyboards) and John Eberly (saxophone)

Here is the link

Autobiography

Every aesthetic production is autobiographical in the sense that one exposes a piece of one’s soul with every expression.  

Kaz Maslanka

Gender Identity by Larry Lesser

Congenital Wisdom on view at the Joint Mathematics Conference in San Diego

Last August "Congenital Wisdom" was show at the Bridges show at the University of Waterloo in Ontario. It is a mathematical visual poem which incorporates a mathematical paradigm poem. The paradigm that I am using is Newtons equation for the law of gravity. In a paradigm poem we map concepts into the existing equation to create conceptual metaphors across the cognitive domains.

The piece points to the idea that the legendary events involving two different apples were both creative events. One being Newton's apple that he saw falling out of the tree and the other being the apple from the knowledge of good and evil. In the poem you will see that the force of creativity is acting on both apples. You will notice that the distance between the apples is described by mapping concepts across a five dimensional distance formula. The concept of negentropy is mapped to the gravitational constant in Newton's equation. I have gone into much detail to give you the tools to access this piece in a YouTube video that can be accessed here: Lecture on Congenital Wisdom

Currently this piece is on view at the Joint Mathematics conference in San Diego California through January 17

Cantor's Ternary Palindrome by Larry Lesser

Forebear Square by Lawrence Lesser

Visual Poetry by Larry Lesser

... and Number Trapezoid

MEANings by Larry Lesser

Mathematics Professor Lawrence Lesser, Ph.D. provides us with a couple of mathematical visual poems:

These were part of a paper:
Lesser, L.M.(2011) "Making Statistics Memorable: New Mnemonics and Motivations," in Proceedings of the 2011 Joint Statistical Meetings, Section on Statistical Education, 1118- 1124.

Click here for the paper          http://www.statlit.org/pdf/2011Lesser-JSM.pdf

Maholy Nagy 1922