This page is reserved for all of Pablo Kagioglu Mathematical Poems
Dodecaorthogonal Space Poems
Electronic Paradigm Poems by Pablo Kagioglu
Pablo Kagioglu's Love
Pablo Kagioglu's Passion
Pablo Kagioglu's creation
The Paradigm Poem
Unlike a simple mathematical structure as in the “Similar Triangles Poem”, the “Paradigm Poem” is a mathematical poetry technique that borrows its structure from an existing equation from applied mathematics of scientific or cultural significance. The “Paradigm Poem has many sub-categories which are as numerous as there are categories for applied mathematics. Examples that we could consider would be: “Physics Paradigm Poem”, “Chemistry Paradigm Poem”, “Business Accounting Paradigm Poem”, “ Psychophysiological Paradigm Poem” etc.
If we think in terms of metaphor using the cognitive scientific language of George Lakoff then we would classify the language of the variables “inside the equation structure” as the ‘target domain’ and the context or traditional meaning of the equation as the “source domain’
Let me show an example of a “Physics Paradigm Poem” using Newton’s second law. For this example I am going to use an excerpt from my essay on “Polyaesthetics and Mathematical Poetry” Journal of Mathematics and the Arts, Volume 1, Issue 1 March 2007 , pages 35 - 40 Publisher: Taylor & Francis Informa Ltd Registered in England and Wales Registered Number: 1072954
“My personal view is that almost all mathematic applications rely on using equations with the intent similar to simile. The variables in the equation are compared explicitly with the result for uses in denotation. For example, in the case of an application of
Newton’s second law F = ma, or Force equals Mass times Acceleration, we are comparing the variables m (Mass) and a (Acceleration) explicitly to F (Force).
I can now make a mathematical poem based on the latter example by expressing the Force of ‘yesterday’s freedom’ as being equal to ‘a lush clover patch’
multiplied by ‘the swelling sweet summer breeze traversing the morning’. We can then put this in the form of a mathematical equation as; Yesterday’s freedom = (a lush clover patch) (the swelling sweet summer breeze traversing the morning). In other words, I set the Force to ‘Yesterday’s freedom’, the mass to ‘a lush clover patch’, and I accelerated the mass by ‘the swelling sweet summer breeze traversing the morning’. All of these
phrases relate back to the original equation from physics F = ma. I want to emphasize that I was very careful when I made my choice for acceleration so that the phrase is evocative of the mathematical description of acceleration as defined by physics. Acceleration is the
change in velocity of an object per unit of elapsed time during that acceleration. Here, the change in velocity is implied by ‘swelling’ and the change in time is implied by ‘traversing’.”
In the above example we are using the words “Yesterday’s freedom; a lush clover patch; the swelling sweet summer breeze traversing the morning” as the variables of the equations which supply us with the target domain and then we are using the equation from physics F = ma, its scientific meaning and historical significance as the source domain.
The bottom line concerning the ‘paradigm poem’ is that we borrow an equation from the past which inherently contains historical significance and serves as an paradigm or mathematical model that seems almost “a vessel” to carry the mathematical poem. The paradigm poem always borrows an existing mathematical structure to serve as a source domain in our metaphor.
This page is reserved for all of Thierry Brunet's Mathematical Poems
No Boundaries
Philosophic Cocktails
Rhesus
Japanese Elvis
Toaster
Delineation#5
The orthogonal space poem is one of the simplest mathematical structures one can use for mathematical poetry. The structure can be seen in numerous contexts in the discipline of the sciences. Examples in physics would include Newton’s second law “F = ma”, Ohms Law “E = IR”, the kinematical properties of “d = vt”, “p=mv” and E = Fd. Please notice all of the equations are in the form of ‘a’ equals ‘b’ multiplied by ‘c’ or “a = (b)(c)”. This wonderful equation states that the value of one particular concept is equal to the product of two values held by two other concepts. When this equation is depicted in a Cartesian coordinate system you can see that the latter two concepts exist in an orthogonal or perpendicular space.
Before I explain the “orthogonal space poem’s” use in mathematical poetry, let us look at this same mathematical structure in the context of science. Furthermore, before we look at a scientific example let is review a little mathematics. Let us first review the Cartesian coordinate system and its nomenclature.
When we look at the two-dimensional axis of a Cartesian coordinate system, we can see that by randomly picking a point somewhere on the Cartesian plane, then we see there exists is a relationship between this ‘chosen’ point and the point defining the origin of the coordinate system. This relationship is understood by the nomenclature of the coordinate pair (x,y) where x and y are distances along each axis from the origin. Furthermore, if we draw lines from a newly created point, orthogonally (perpendicular) to both the x-axis and the y-axis and taking into consideration the axis system in the background then we will make a rectangle.
The area of a rectangle is product of the lengths of its sides furthermore, in the upcoming example, it is the product of the values for the x and y coordinates of this “chosen” point. I assigned one corner of the rectangle at the origin point to make our example easier to see. Example: Let us pick a point defined by the x-y coordinates of (11,13) and draw lines perpendicular to the axes to illuminate the concept that I just stated. The area of any rectangle is equal to its height multiplied by its base (The product of the lengths of its sides). We have a green rectangle delineated on our axis system. (See figure. 1) The height of our rectangle is 13 units and its base is 11 units. The area of our rectangle is 143 square units … or 13 X 11 = 143 This later example is one of pure mathematics. However if we want to use math as a language then we will have to apply concepts or words to our axis system.
Let us look at a typical physics problem of distance, velocity and time displayed on a two dimensional axis system. Let us assign the y-axis to be levels of velocity in units of miles per hour and the x-axis to be amounts of time in units of hours. Furthermore, let us look at an example using the concept of the “distance an object has traveled is equal to the velocity of that object multiplied by the time the object has traveled.” or “d = vt” In this example let us look at the Cartesian coordinate system as well as its orthogonal construction.
We will use the same pure mathematical example as before but by our contextualizing the axis and assigning the y-axis to represent velocity and the x-axis to represent time, our original point from the last example (11,13) has a new meaning. To reiterate … the point before was in the realm of pure mathematics but now the point represents a moment in time of a speeding object. The object is traveling 13 miles per hour and has been traveling for 11 hours. So to calculate, (d = vt), the distance the object has traveled we must multiply the velocity by the time or 13 miles per hour times 11 hours which equals 143 miles.
In essence, what we have done has been to assign a concept by using words (velocity and time) to our axis system. Moving our attention up or down on the y-axis displays different values of velocity. Moving left and right on, the x-axis displays different amounts of duration or time. Physical experimentation can easily verify the veracity of this equation. In addition, the same experimentation verifies the verbal concepts and their relationship to each other that we have assigned to our axis system. We can see the relationship between the concepts of distance, velocity and time spread out on a two-dimensional plane via our axis system. It is important to note that these concepts occupy orthogonal spaces as well as all equations in the form of a = (b)(c).
The orthogonal space poem possesses the exact same form as our scientific equations however, our intention is poetic as opposed to science.
For our example lets look at the following orthogonal space poem which is titled “Prometheus’s Epistle To Job”
In this poem Prometheus expresses to Job that the suffering of pious people is equal to the arrogance of their God divided by the level of ostentatious generosity imparted by their God.
Lets see how this poem relates to an orthogonal space using a Cartesian coordinate system. We can see how it follows the same structure as the previous physics example.
Another important aspect of creating a orthogonal space poem is to examine all the syntactically different synonymous permutations. Let me reiterate, the structure for an orthogonal poem is a = b c which means that we can solve the equation three different ways. a = b c, b = a/c and c = a/b. When creating an orthogonal space poem you would want to solve and analyze your poem all three different ways to make sure that the poem makes ‘aesthetic sense’ in each different form. Lets look at the latter poem as an example.
The suffering of pious people = The arrogance of their God “divided by” The ostentatious generosity of their God
This poem should also make sense in its two other syntactically different however, synonymous structures.
The arrogance of their God = The suffering of pious people “multiplied by” The ostentatious generosity of their God
And:
The ostentatious generosity of their God = The arrogance of their God "divided by" The suffering of pious people
The following is a similar triangles poem sent to me by the French Poet Thierry Brunet.
