Here is some polyaesthetic work I was recently turned on to. The artist, Keith Tyson won the Turner prize in England for his work and I am certainly happy that our genre is getting more attention. The poetic content reminds me of Scott Helmes's work yet this work is obviously polyaesthetic due to the mixture of visual images. Very Cool!
New Math
Craig Damrauer calls his 'Mathphorism' pieces “New Math” I would like to share the fact that he created new a set of Equational post cards. The group was edited by Ed Ruscha and quickly sold out. Here is a sample from the set:
Here is a new Polyaesthetic / orthogonal space poem by Connie Tettenborn titled "Fractured"
Here is one submitted to me by Xenharmonic Guru John Chalmers. This is right in line with Karl Kemptons thread of thought
Benoit Mandelbrot passed away this last October 14 and left a legacy of fractal geometry behind him. It is quite amazing that a simple formula such as z = z^2 + c could be iterated and produce such beautiful images. Here is a rock music video by M. Eric Carr with music that was written and sung by Jonathan Coulton as a tribute to Mandelbrot and I find it quite clever.
Here are some fractals that I made using some software called ultrafractal and many of these are based on the Mandelbrot set. What I find most fascinating about these images is that when you are looking at them you are visualizing one small but beautiful facet of the logical structure in your mind. It is like a magical magnifying mirror looking directly at the logical foundation of the house you call mind.
Here is a piece by Connie Tettenborn based on the parabola. y = ax^2 + bx + c
Here is a Spherical (maybe elliptical) poem by Connie Tettenborn titled "The Sphere of Influence"
Here are a couple of new ones by the mathematical poet Connie Tettenborn. A differential poem and an integral poem - cool stuff 
I recently received the following works by visual poet Andrew Topel 
I recently received the following works by visual poet Andrew Topel
I am happy to present that not only were we presented a top poetry blog award (Third Place) -click here-
Thank you to all who have contributed!
A couple of things of importance concerning the mathematical graffiti wall. The first being a new video of the wall produced by John Sims, the hippest voice in mathematical art – check it out below.
The second is some wonderful photos of the event that Geof Huth just released. (Thank you Geof!) – They can be seen below.
Here is John’s announcement of the event.
Here is a photo of John Sims introducing the event.
Here is Stephanie Strickland reading her response to the wall.
Here is Gregory Vincent St. Thomasino talking cubist poetry
Here is Bob Grumman reading his Poem’s Poem
Here I am talking about Similar Triangles Poems (Which is the type of Poem I put on the wall)
Here is Richard Kostelanetz after his talk about the history of his work.
Here is a group photo
Here is Geof making a contribution to the wall
Here is Geof and Bobs contribution
Here is JoAnne in front of the wall.
Here are some folks checking out the wall/
Here is a photo of the Kumbaya fest at Starbuck’s afterward. What a great time we had chatting about our common interests. (Left to Right) Geof Huth, Bob Grumman, JoAnne Growney, Arnold Skemer, Kaz Maslanka, Karen Orlin, and Richard Kostelanetz
I asked the mathematician and co-editor of "Strange Attractors Poems of Love and Mathematics", Sarah Glaz for her definition of mathematical poetry and here is what she had to say:
Mathematical poetry is an umbrella term for poetry with a strong link to mathematics in either imagery, content, or structure. The mathematics involved in mathematical poetry does not have to be mathematically significant. Some poems I would call mathematical involve just arithmetic, or counting. How significant are those in the scheme the entire body of mathematical knowledge? Certain mathematical components do not make a poem mathematical, and this is expressed through the words "strong link to mathematics." For example, all formal poetry has a built in mathematical structure, but we would not call every sonnet, for example, a mathematical poem just because it has 14 lines. If the link to mathematics is in the poem's structure, there has to be something non standard, or unusual, about the use of mathematics in the poem's structure to make the poem a mathematical poem. I left, on purpose, the term "poetry" undefined because I want to include in this definition poems that have only mathematical symbols. Although my preference is for poetry that includes words, I would like the term mathematical poetry to embrace all poetic mathematical forms, even those that come to us from the depth of mathematical silence in symbol form.
